This is temporary



Stress has a way of making you more vulnerable than you already are. It scrubs your heart until it's red and raw, and leaves it to the elements to take a beating.

All your deepest fears surface; and all the little words of criticism, all the playful teases you would normally shrug off or answer back become menacing cuts that go all the way to the bone.

You feel this heavy, negative, thick air in your lungs, but you are fully aware it's something you can exhale and be rid of. Until unpleasant thoughts snake their way into your mind, pestering you in sync with the painful throbbing in your head.

But...

This is temporary.

Remember your moments of inspiration.

Yes, Please!

A little more than two years ago, a magazine stylist (who I recently realized was actually a coursemate back in college) contacted me for my accessories. Her friend gave her a bracelet that she had bought from me in 98B, a weekend market in Escolta for all things handmade. She was looking for "bold, fun, easy mix and match travel wear for 2014", and she thought my necklaces would be a nice addition.

I was so excited!!! A magazine feature, I wouldn't have thunk! I rummaged through the stock I had remaining, and as luck would have it, I discovered that much of the hardware had been corroded by one of the adhesives I used. Dun dun dun. Dun.

My heart sank as I typed in my reply, declining her offer. I did, however, politely request that maybe she could keep me in mind come summer when I've sorted things out.

She did get back to me two months later for a safari photoshoot they were planning.

But this girl right here checked her e-mail a whole mucking month too late.

And that, my dear brothers and sisters, is why I'm still in this creative rut. I'd like to think I'm a Yes Person, but a Yes Person Who Gets There Early I am struggling to be. If only I had checked my mail earlier, if only I had tested my adhesives and materials sooner, if only I had made more accessories as buffer for these kinds of situations...

I am remembering all these because my college friends and I were reminiscing yesterday and Ms. Magazine Stylist, two batches ahead of us, came to mind. As we were talking about my missed opportunity, I still kept kicking myself in my head even though it's been two years. Rather, I'm still kicking myself in my head because why haven't I gotten back to her AGAIN? It's been two years! Ugh.

Anyway, I came across Amy Poehler's book here on A Beautiful Mess, one of my favorite blogs. I'm inspired all of a sudden (to buy that book and) to move forward and make sure I'm not making the same mistakes and losing all these incredible things that I'm being offered. I made this today to set as wallpaper. Use it if you're feeling grabby (for opportunities, that is). Happy weekend!


2 0 1 5

Two years ago this month, I was sitting on our living room floor, funemployed and greatly pressured by the New Year's resolutions every one else was making. I had just made a buttload of money baking cookies during the holidays, an apparently lucrative hobby that began only as a way to take some of the stress off making clothes and accessories. Tyler Florence's Chefography was on TV, and for a good minute I had my life planned out – start small at a pastry shop, make my salary pay my culinary degree, and be a pastry chef from there. So romantic, that life.

These cookies didn't make my thighs wider then; but they fattened up my wallet nicely.
Here's the thing, though: I am too self-aware for my own good, but in most cases, such as this one, it becomes handy. I realized soon after (like, a few seconds after) that I really wanted to be a chef because I wanted to escape being a designer. Everyone had been asking when I'd be making their clothes and when I'd be setting up shop; when people pressure me like that, I go on the defense and start making choices opposite their expectations.

Facing the coward in me, these then became my resolutions: to try, to try with intention, and to try not for anyone's approval but for my own integrity.

Rituals by Patrick Rosas

Mang, I've missed talking to myself here. I took a break from working last night by ~redesigning~* this space, and now that it feels like a shiny new thing, I'm excited to babble on more than ever.

Not that I have a lot to say... or, actually, I do have a lot to say but right now I can see all the words in my head just swirling into a blurry soup.

Life lately has consisted of continuous all-nighters; countless mugs of iced coffee; endless hours of staring at the ceiling (or blank wall) deciding which big task to attack first and what big meal to eat afterward; and hurried good-nights and good-mornings, which is a sad thing because life shouldn't get in the way of work – it should be the other way around.

Nicdao shooting Ugne in Bea Valdes for the book
We have a book exhibit tomorrow, and it's a big deal. Not only because of the people involved in it – from the bigwigs behind the project to the guests attending it and buying the book – but also because of the amount of pressure we put on ourselves to make this happen. It's been a year since this began (I have a photo with Popoy to prove it lol), and it does not make sense to waste all that hard work by not ensuring the event is the significant moment it should be.

The book celebrates Patrick Rosas' 20th year as a legendary makeup artist, and it is a collaboration of talented photographers, artists, writers, stylists, craftsmen, designers, geniuses, and marketing mavens. O, 'di ba?

Most importantly, this whole thing was put together so that the H Ward of San Lazaro Hospital will benefit. A portion of the proceeds from the book sales (as well as the sale of Carlo Calma's sculpture) will be donated to this facility. We're also launching the book on December 1, World AIDS Day.

My talikodgenic photobomb during the shoot + dinner at W/17, November last year [image from Inquirer]
Initially, I was the one coordinating with the photographers, studios and the rest of the team for shoot schedules, but my partner in crime Kevin really grabbed hold of this project. From the shoot, to the book printing up until the execution for the day. He's so dedicated to it that he knows every detail by heart, and I'm not even exaggerating. A toast is in order for you, friend! 'Yung pinayat mo dahil sa project na ito, napunta naman sa hita at braso ko. 

Kevin and Popoy, a week after Anne Curtis's slapping spree last year
Tomorrow will have culminated more than a year's hard work and serendipitous events that led everyone to start this project. We're already missing the photoshoots (and the binge-eating of pizza, fried chicken, barbecue, pancit and – believe it or not – salad! Thanks, Juju!), and Sir Patrick's early morning phone calls. Despite all the stress, though, it greatly helped that our boss and the book's producer/project manager, Ms. Carmina, was and is always grounded, always on top of things. There were of course moments we felt like headless chickens running around, but the stress seldom ever felt like it was draining the soul out of us. It's a good kind of stress, I'd like to think.

I'm grateful to have met talented people I wouldn't have otherwise. The legendary Neal Oshima, Patrick Rosas himself, and even the staff and assistants of everyone involved in the production. It makes me feel small but in a way that makes me appreciate there's so many and so much more to meet and learn and make and do.

Neal Oshima and Ria Bolivar on our (very first) trial shoot, where my communicating skills were tested
There is still so much to do (currently they're setting up at White Space for the event), but Kevin, Ms. Carmina and I are only so harassed by this one huge problem now: What are we going to wear?

2:27am

Wondering where you are
If you're all right

Asleep on the bus
Under bright lights

Will you come home?
(I wish I could welcome you home)

Wish it were my shoulder
You're leaning on

My fingers
Wound into your hair

Wish I were with you
Keeping watch

Keeping you safe
From sketchy shadows
In dim alleyways

Laying you down

Closing your eyes

And then
Waking you up

In the middle of the night

When the sun
First breaks

The horizon

2:44am

Sweet dreams, my love

I'm glad

You are

(My)

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